Profil Görüntüleri
1 Görüntüler
| Doğum yeri | New York City, New York, USA |
| Doğum günü | 1886-11-30 |
| Ölüm | 1981-12-16 |
| Ayrıca şöyle bilinir | Carlo Struss Karl O. Struss |
Oy
Karl Struss, A.S.C. (November 30, 1886 – December 15, 1981) was an American photographer and a cinematographer of the 1900s through the 1950s. He was also one of the earliest pioneers of 3-D films. While he mostly worked on films, such as F. W. Murnau's Sunrise: A Song of Two Humans and Charlie Chaplin's The Great Dictator and Limelight, he was also one of the cinematographers for the television series Broken Arrow and photographed 19 episodes of My Friend Flicka. In 1919, after his discharge from WWI, he moved to Los Angeles and signed on with Cecil B. DeMille as a cameraman, initially for the film For Better, For Worse starring Gloria Swanson, followed by another Swanson film Male and Female and leading to a two-year contract with the studio In early 1921, he married Ethel Wall, who helped to support him in his photographic work independent of the film studios, which included pictorial views set in California In the 1920s, Struss worked on such films as Ben-Hur and F. W. Murnau's Sunrise: A Song of Two Humans. In 1927, he contracted with United Artists, where he worked with D. W. Griffith on such films as Drums of Love and also filmed Mary Pickford's first talking film Coquette. He continued his experimental work with camera technology, developing the "Lupe Light" and a new bracket system for the Bell & Howell camera. From 1931 through 1945, Struss worked as a cameraman for Paramount, where he worked on a variety of material including films featuring Mae West, Bing Crosby, and Dorothy Lamour Struss also aimed to shape the field through publishing; for example, in 1934 he authored "Photographic Modernism and the Cinematographer" for American Cinematographer. Struss was later admitted to the American Society of Cinematographers, and was a founding member of the Academy of Motion Picture Arts. In 1949, while working as a freelancer, he began his work in "stereo cinematography", becoming one of the first proponents of that art form. Unfortunately, he did most of his 3D film work in Italy and none of his films were subsequently released in 3D in the United States. Struss's photographic archive of exhibition prints, film stills, negatives and papers (3 linear feet of materials) is available at the Amon Carter Museum of American Art located in Fort Worth, Texas.
Diğer Roller
| 1959 | Counterplot - Director of Photography |
| 1959 | The Alligator People - Director of Photography |
| 1958 | Machete - Director of Photography |
| 1958 | Öldüren Arzu - Director of Photography |
| 1957 | The Deerslayer - Director of Photography |
| 1957 | She Devil - Director of Photography |
| 1957 | Kronos - Director of Photography |
| 1956 | Mohawk - Director of Photography |
| 1954 | Attila - Camera Operator |
| 1954 | Miseria e nobiltà - Director of Photography |
| 1954 | Due notti con Cleopatra - Director of Photography |
| 1953 | Il più comico spettacolo del mondo - Director of Photography |
| 1953 | Un turco napoletano - Director of Photography |
| 1953 | Mesa of Lost Women - Cinematography |
| 1953 | Domenica a Capri - Director |
| 1952 | Sahne Işıkları - Director of Photography |
| 1952 | Rose of Cimarron - Director of Photography |
| 1952 | Lady Possessed - Director of Photography |
| 1951 | Tarzan's Peril - Director of Photography |
| 1950 | The Texan Meets Calamity Jane - Director of Photography |
| 1950 | The Return of Jesse James - Director of Photography |
| 1950 | It's a Small World - Director of Photography |
| 1950 | Rocketship X-M - Director of Photography |
| 1949 | Call of the Forest - Director of Photography |
| 1949 | Tarzan's Magic Fountain - Director of Photography |
| 1949 | Siren of Atlantis - Director of Photography |
| 1949 | Hello Out There - Director of Photography |
| 1948 | The Dude Goes West - Director of Photography |
| 1947 | The Macomber Affair - Director of Photography |
| 1946 | Suspense - Director of Photography |
| 1946 | Tarzan and the Leopard Woman - Director of Photography |
| 1945 | Bring on the Girls - Director of Photography |
| 1944 | Rainbow Island - Director of Photography |
| 1944 | And the Angels Sing - Director of Photography |
| 1943 | Riding High - Director of Photography |
| 1943 | Journey into Fear - Director of Photography |
| 1941 | Aloma of the South Seas - Director of Photography |
| 1941 | Caught in the Draft - Director of Photography |
| 1940 | Büyük Diktatör - Director of Photography |
| 1939 | The Star Maker - Director of Photography |
| 1939 | Island of Lost Men - Director of Photography |
| 1939 | Zenobia - Director of Photography |
| 1939 | Paris Honeymoon - Director of Photography |
| 1938 | Thanks for the Memory - Director of Photography |
| 1938 | Sing, You Sinners - Cinematography |
| 1937 | Every Day's a Holiday - Director of Photography |
| 1937 | Mountain Music - Director of Photography |
| 1936 | Go West Young Man - Director of Photography |
| 1936 | Let's Make a Million - Director of Photography |
| 1936 | Hollywood Boulevard - Director of Photography |
| 1936 | The Preview Murder Mystery - Director of Photography |
| 1935 | Two for Tonight - Director of Photography |
| 1935 | Goin' to Town - Director of Photography |
| 1934 | Here Is My Heart - Director of Photography |
| 1934 | Belle of the Nineties - Cinematography |
| 1934 | Four Frightened People - Director of Photography |
| 1933 | Torch Singer - Director of Photography |
| 1933 | Disgraced! - Director of Photography |
| 1933 | The Story of Temple Drake - Director of Photography |
| 1933 | The Woman Accused - Director of Photography |
| 1933 | Tonight Is Ours - Director of Photography |
| 1932 | Kayıp Ruhlar Adası - Director of Photography |
| 1932 | The Sign of the Cross - Director of Photography |
| 1932 | The Man from Yesterday - Director of Photography |
| 1932 | Forgotten Commandments - Director of Photography |
| 1932 | The World and the Flesh - Director of Photography |
| 1932 | Dancers in the Dark - Director of Photography |
| 1932 | Two Kinds of Women - Director of Photography |
| 1931 | Dr. Jekyll ve Bay Hyde - Director of Photography |
| 1931 | The Road to Reno - Director of Photography |
| 1931 | Up Pops the Devil - Director of Photography |
| 1931 | Skippy - Director of Photography |
| 1930 | Danger Lights - Director of Photography |
| 1930 | Abraham Lincoln - Director of Photography |
| 1930 | The Bad One - Director of Photography |
| 1930 | One Romantic Night - Director of Photography |
| 1930 | Be Yourself! - Director of Photography |
| 1930 | Lummox - Director of Photography |
| 1929 | The Taming of the Shrew - Director of Photography |
| 1929 | Coquette - Director of Photography |
| 1928 | The Battle of the Sexes - Director of Photography |
| 1928 | Night Watch - Director of Photography |
| 1927 | Şafak - Director of Photography |
| 1927 | Babe Comes Home - Director of Photography |
| 1926 | Forever After - Director of Photography |
| 1926 | Sparrows - Director of Photography |
| 1926 | Hell's Four Hundred - Director of Photography |
| 1925 | Ben-Hur: A Tale of the Christ - Director of Photography |
| 1923 | Poor Men's Wives - Director of Photography |
| 1922 | Minnie - Director of Photography |
| 1921 | Fool's Paradise - Director of Photography |
| 1920 | Something to Think About - Director of Photography |
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