Profil Görüntüleri
| Doğum yeri | Proviso, Illinois, USA |
| Doğum günü | 1905-03-01 |
| Ölüm | 1992-10-21 |
| Ayrıca şöyle bilinir | C. Portman Clem A. Portman |
Oy
Clem Portman (March 1, 1905 – October 21, 1992) was an American sound engineer. He was nominated for an Academy Award in the category Sound Recording for the film Gaily, Gaily. He worked on over 200 films between 1930 and 1970.
Diğer Roller
| 1970 | Kasabanın Sırrı - Sound Recordist |
| 1969 | The Happy Ending - Sound Recordist |
| 1969 | Gaily, Gaily - Sound Recordist |
| 1969 | Flareup - Sound Re-Recording Mixer |
| 1969 | Muhteşem Yedilinin Silahları - Sound Re-Recording Mixer |
| 1969 | Riot - Sound Recordist |
| 1968 | Charly - Recording Supervision |
| 1968 | Kibar Soyguncu - Sound Recordist |
| 1967 | Fitzwilly - Sound Recordist |
| 1967 | Beklenmeyen Misafir - Sound Re-Recording Mixer |
| 1967 | Gecenin Sıcağında - Sound Re-Recording Mixer |
| 1967 | Harp Vagonu - Sound Re-Recording Mixer |
| 1967 | The Way West - Sound Recordist |
| 1967 | How to Succeed in Business Without Really Trying - Sound Re-Recording Mixer |
| 1966 | Hawaii - Sound Re-Recording Mixer |
| 1966 | Devlerin Gölgesi - Sound Re-Recording Mixer |
| 1965 | The Hallelujah Trail - Sound Recordist |
| 1965 | Koleksiyoncu - Sound Re-Recording Mixer |
| 1964 | Kiss Me, Stupid - Sound Re-Recording Mixer |
| 1964 | Sex and the College Girl - Sound Recordist |
| 1963 | Çılgın Dünya - Sound Re-Recording Mixer |
| 1958 | Macabre - Sound Re-Recording Mixer |
| 1954 | Susan Slept Here - Sound |
| 1953 | Devil's Canyon - Sound |
| 1953 | Split Second - Sound |
| 1953 | The Hitch-Hiker - Sound Designer |
| 1953 | Muhteris Ruhlar - Sound Designer |
| 1952 | Blackbeard, the Pirate - Sound |
| 1952 | Androcles and the Lion - Sound |
| 1952 | The Lusty Men - Sound |
| 1952 | One Minute to Zero - Sound |
| 1952 | Beware, My Lovely - Sound |
| 1952 | Clash by Night - Sound Designer |
| 1952 | The Narrow Margin - Sound |
| 1952 | At Sword's Point - Sound |
| 1952 | Target - Sound |
| 1952 | Macao - Sound |
| 1952 | Trail Guide - Sound |
| 1952 | The Las Vegas Story - Sound |
| 1951 | Double Dynamite - Sound |
| 1951 | Overland Telegraph - Sound |
| 1951 | Tehlikeli Av - Sound |
| 1951 | The Blue Veil - Sound |
| 1951 | The Racket - Sound |
| 1951 | Behave Yourself! - Sound |
| 1951 | Roadblock - Sound |
| 1951 | Pistol Harvest - Sound |
| 1951 | Flying Leathernecks - Sound |
| 1951 | His Kind of Woman - Sound |
| 1951 | Best of the Badmen - Sound |
| 1951 | Hard, Fast and Beautiful - Sound |
| 1951 | Sealed Cargo - Sound |
| 1951 | My Forbidden Past - Sound Designer |
| 1951 | Saddle Legion - Sound |
| 1951 | Başka Dünyadan Gelen Şey - Sound |
| 1951 | Law of the Badlands - Sound |
| 1951 | Payment on Demand - Sound |
| 1950 | Double Deal - Sound |
| 1950 | Rio Grande Patrol - Sound |
| 1950 | Born to Be Bad - Sound |
| 1950 | Outrage - Sound Designer |
| 1950 | Bunco Squad - Sound |
| 1950 | Never a Dull Moment - Sound |
| 1950 | Border Treasure - Sound Mix Technician |
| 1950 | Rider from Tucson - Sound |
| 1950 | Storm Over Wyoming - Sound |
| 1950 | Wagon Master - Sound |
| 1950 | Dynamite Pass - Sound |
| 1950 | The Secret Fury - Sound |
| 1950 | Riders of the Range - Sound |
| 1949 | Holiday Affair - Sound |
| 1949 | A Dangerous Profession - Sound Designer |
| 1949 | The Threat - Sound |
| 1949 | Bride for Sale - Sound |
| 1949 | Sarı Eşarplı Kız - Sound |
| 1949 | Easy Living - Sound |
| 1949 | Koca Bebek Joe - Sound |
| 1949 | Follow Me Quietly - Sound |
| 1949 | The Big Steal - Sound |
| 1949 | Roughshod - Sound |
| 1949 | Adventure in Baltimore - Sound |
| 1949 | The Set-Up - Sound |
| 1949 | The Clay Pigeon - Sound |
| 1949 | A Woman's Secret - Sound |
| 1948 | Every Girl Should Be Married - Sound |
| 1948 | The Boy with Green Hair - Sound Designer |
| 1948 | Good Sam - Sound |
| 1948 | Variety Time - Sound Editor |
| 1948 | Berlin Express - Sound Designer |
| 1948 | The Miracle of the Bells - Sound |
| 1948 | Mr. Blandings Builds His Dream House - Sound |
| 1948 | Night Song - Sound |
| 1947 | Tycoon - Sound |
| 1947 | Geçmişten Kaçış - Sound |
| 1947 | Mourning Becomes Electra - Sound |
| 1947 | The Bachelor and the Bobby-Soxer - Sound |
| 1947 | Crossfire - Sound Designer |
| 1947 | They Won't Believe Me - Sound |
| 1947 | The Woman on the Beach - Sound |
| 1947 | The Long Night - Sound |
| 1947 | Banjo - Sound |
| 1947 | The Farmer's Daughter - Sound |
| 1946 | Şahane Hayat - Sound |
| 1946 | Aşktan da Üstün - Sound Re-Recording Mixer |
| 1946 | Till the End of Time - Sound |
| 1946 | From This Day Forward - Sound |
| 1937 | Quality Street - Sound Recordist |
| 1936 | Bunker Bean - Sound Recordist |
| 1936 | The Ex-Mrs. Bradford - Sound |
| 1936 | Murder on a Bridle Path - Sound Recordist |
| 1936 | Love on a Bet - Sound Recordist |
| 1935 | In Person - Sound Recordist |
| 1935 | Village Tale - Sound Recordist |
| 1934 | The Little Minister - Sound Recordist |
| 1934 | Bachelor Bait - Sound Recordist |
| 1934 | This Man Is Mine - Recording Supervision |
| 1934 | Spitfire - Sound Recordist |
| 1933 | The Gay Nighties - Sound Recordist |
| 1933 | Sweepings - Sound Recordist |
| 1933 | King Kong - Sound Re-Recording Mixer |
| 1933 | Scarlet River - Sound |
| 1933 | The Cheyenne Kid - Sound |
| 1932 | En Tehlikeli Oyun - Sound Recordist |
| 1932 | Bird of Paradise - Sound |
| 1932 | The Lost Squadron - Sound |
| 1931 | Are These Our Children? - Sound |
| 1931 | Smart Woman - Sound Recordist |
| 1931 | Three Who Loved - Recording Supervision |
| 1931 | Bachelor Apartment - Sound |
| 1931 | Cimarron - Sound |
| 1931 | Danger Lights - Sound |
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