Babette Mangolte is a French cinematographer, film director, and photographer who has lived and worked in the United States since 1970. She is best known for her work with film director Chantal Akerman.
| 2020 | Calamity Jane & Delphine Seyrig: A Story - Cinematography |
| 2020 | Calamity Jane & Delphine Seyrig: A Story - Director |
| 2020 | Calamity Jane & Delphine Seyrig: A Story - Producer |
| 2014 | Je, Nous, I or Eye, Us - Director |
| 2013 | Edward Krasinski's Studio - Director |
| 2013 | Staging "Lateral Pass" - Director |
| 2012 | Roof Piece on the High Line - Director |
| 2007 | Seven Easy Pieces - Director |
| 2007 | Seven Easy Pieces - Director of Photography |
| 2007 | Seven Easy Pieces - Editor |
| 2007 | A Film Portrait of Richard Serra - Director |
| 2004 | The Interview - Cinematography |
| 2003 | Les modèles de 'Pickpocket' - Cinematography |
| 2003 | Les modèles de 'Pickpocket' - Director |
| 2003 | Les modèles de 'Pickpocket' - Writer |
| 1993 | Four Pieces by Morris - Director |
| 1992 | My Crasy Life - Director of Photography |
| 1991 | Visible Cities - Director |
| 1991 | Visible Cities - Producer |
| 1989 | Un jour Pina a demandé... - Director of Photography |
| 1987 | Artist on Fire: Joyce Wieland - Director of Photography |
| 1986 | Routine Pleasures - Director of Photography |
| 1986 | Routine Pleasures - Editor |
| 1986 | Fire in the East: A Portrait of Robert Frank - Director of Photography |
| 1984 | Hotel New York - Cinematography |
| 1983 | The Sky on Location - Director |
| 1983 | The Sky on Location - Director of Photography |
| 1983 | The Sky on Location - Editor |
| 1983 | The Sky on Location - Writer |
| 1983 | The Gold Diggers - Director of Photography |
| 1981 | Strong Medicine - Director of Photography |
| 1980 | New York Story - Cinematography |
| 1980 | The Cold Eye (My Darling, Be Careful) - Cinematography |
| 1980 | The Cold Eye (My Darling, Be Careful) - Director |
| 1980 | The Cold Eye (My Darling, Be Careful) - Editor |
| 1980 | The Cold Eye (My Darling, Be Careful) - Producer |
| 1980 | The Cold Eye (My Darling, Be Careful) - Writer |
| 1979 | There? Where? - Director |
| 1979 | Sigmund Freud's Dora - Director of Photography |
| 1978 | Water Motor - Director |
| 1977 | News from Home - Director of Photography |
| 1977 | The Camera: Je or La Caméra: I - Director |
| 1977 | The Camera: Je or La Caméra: I - Director of Photography |
| 1977 | The Camera: Je or La Caméra: I - Editor |
| 1977 | The Camera: Je or La Caméra: I - Producer |
| 1976 | Kristina Talking Pictures - Director of Photography |
| 1976 | (Now) or Maintenant Entre Parenthèses - Cinematography |
| 1976 | (Now) or Maintenant Entre Parenthèses - Director |
| 1976 | Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles - Director of Photography |
| 1975 | What Maisie Knew - Director |
| 1975 | A Street Harassment Film - Camera Operator |
| 1974 | Film About a Woman Who… - Director of Photography |
| 1974 | Film About a Woman Who… - Editor |
| 1974 | ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen - Director of Photography |
| 1973 | Hôtel Monterey - Director of Photography |
| 1973 | Hanging Out Yonkers - Cinematography |
| 1973 | Calico Mingling - Director |
| 1972 | La chambre - Director of Photography |
| 1972 | Lives of Performers - Director of Photography |
| 1972 | Lives of Performers - Editor |
| 1969 | L'Hiver - Camera Operator |
| 1968 | L'Été - Assistant Camera |
Duvar