Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Rodney, Iowa, USA |
| Doğum günü | 1894-12-12 |
| Ölüm | 1965-01-25 |
| Ayrıca şöyle bilinir | Leonard S. Powers Leonard Powers |
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POWERS, LEN (Leonard Stephen Powers) Born December 12, 1892 (although he incorrectly gave 1894 on some documents), Rodney, Iowa. Len grew up in Grant, Iowa with his grocer father Charles, mother May, and siblings Charles, Hazel and Clara. He went to school in Portland, Oregon and for a time was a professional boxer. Powers began work as a cinematographer with Reliance in 1914. He shot Blue Blood and Red (1916) for Raoul Walsh at Fox, and Headin’ South (1918) for Douglas Fairbanks, directed by Allan Dwan; he also worked for Magnetic, Mack Sennett, and Hank Mann Comedies. His first film for Hal Roach was the Our Gang short Young Sherlocks (1922). He directed or co-directed 14 Dippy Doo-Dad shorts for Roach in 1923 and ’24, and because of his success with all-animal casts he was asked to film a rooster crowing for the official Pathé logo. After that, Powers was a cameraman exclusively for Roach through 1933, mostly working with Charley Chase. (He moonlighted as a gagman for Mack Sennett in 1927.) With Laurel and Hardy he worked on From Soup to Nuts, Habeas Corpus, Unaccustomed As We Are, Berth Marks, The Hoose-Gow, and The Music Box. He worked at Universal in the early ’40s and was camera operator on some Johnny Mack Brown Westerns toward the end of the decade. His last known credit was photographing stills for Around the World in Eighty Days (1956). Powers’ wife, the former Muriel Elizabeth Davey, died in November. 1945, but he was survived by their daughter Murlen. Died January25, 1965, Hollywood, California, age 72; of a heart attack.
Oyuncu
| 1937 | Slave Ship as Crew Member (uncredited) |
Diğer Roller
| 1949 | Hollywood Burlesque - Director of Photography |
| 1933 | Arabian Tights - Director of Photography |
| 1933 | The Cohens and Kellys in Trouble - Director of Photography |
| 1932 | The Music Box - Director of Photography |
| 1932 | You're Telling Me - Director of Photography |
| 1932 | The Tabasco Kid - Director of Photography |
| 1930 | Bear Shooters - Director of Photography |
| 1929 | Berth Marks - Director of Photography |
| 1929 | Unaccustomed as We Are - Director of Photography |
| 1928 | The Boy Friend - Director of Photography |
| 1928 | Limousine Love - Director of Photography |
| 1927 | The Way of All Pants - Director of Photography |
| 1926 | Be Your Age - Director of Photography |
| 1926 | Wise Guys Prefer Brunettes - Director of Photography |
| 1926 | Bromo and Juliet - Director of Photography |
| 1926 | Crazy Like a Fox - Director of Photography |
| 1926 | Along Came Auntie - Cinematography |
| 1926 | He Forgot to Remember - Director |
| 1926 | Say It with Babies - Director of Photography |
| 1926 | Wandering Papas - Director of Photography |
| 1925 | Innocent Husbands - Director of Photography |
| 1925 | Bad Boy - Director of Photography |
| 1925 | Should Husbands Be Watched? - Director of Photography |
| 1925 | Plain and Fancy Girls - Director of Photography |
| 1924 | Sittin' Pretty - Director of Photography |
| 1924 | Stolen Goods - Director of Photography |
| 1924 | Up and at 'Em - Director |
| 1924 | North of 50-50 - Director |
| 1924 | Love's Reward - Director |
| 1923 | Lovey Dovey - Director |
| 1923 | Go West - Director |
| 1923 | The Knockout - Director |
| 1923 | Be Honest - Director |
| 1923 | The Watch Dog - Director |
| 1919 | The Yellow Dog Catcher - Camera Operator |
| 1918 | Headin' South - Director of Photography |
| 1917 | The Honor System - Director of Photography |
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