Profil Görüntüleri
| Doğum yeri | New York City, New York, USA |
| Doğum günü | 1904-07-23 |
| Ölüm | 1971-09-03 |
| Ayrıca şöyle bilinir | John H Greenhalgh Jr. Jack H. Greenhalgh Jr. John Greenhalgh Jack Marta Jack Greenhalgh Jr. John H. Greenhalgh Jr. |
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Jack Greenhalgh (July 23, 1904 – September 3, 1971) was an American cinematographer, part of the Classical Hollywood cinema generation. He shot Billy the Kid in Santa Fe (1941), Gangster's Den (1945), Too Many Winners (1947) among others. He was active from 1926-53. An operator assistant in the late 1920s, Jack Greenhalgh was the lead operator on two hundred and four American B-series films, released between 1935 and 1953. Many of them are Sam Newfield's productions produced by the Producers Releasing Corporation , including westerns (notably with Buster Crabbe or Tim McCoy) and horror films. Let us mention Reefer Madness by Louis J. Gasnier (1936, with Dave O'Brien and Thelma White), Douglas Sirk's Hitler's Madman (1943, with Patricia Morison and John Carradine), Sam Newfield's Forbidden Pleasures (1949), with Alan Baxter and Lyle Talbot), or Phil Tucker's Robot Monster (his penultimate film, 1953, starring George Nader and Selena Royle). For television, Jack Greenhalgh contributed to two series in 1951 and 1952, including The Adventures of Kit Carson (1951).
Diğer Roller
| 1953 | Robot Monster - Director of Photography |
| 1951 | FBI Girl - Director of Photography |
| 1951 | Slaughter Trail - Director of Photography |
| 1951 | Leave It to the Marines - Director of Photography |
| 1951 | Lost Continent - Director of Photography |
| 1951 | Varieties on Parade - Director of Photography |
| 1951 | Yes Sir, Mr. Bones - Director of Photography |
| 1951 | Savage Drums - Director of Photography |
| 1951 | New Mexico - Additional Photography |
| 1951 | Pier 23 - Director of Photography |
| 1951 | Roaring City - Director of Photography |
| 1951 | Fingerprints Don't Lie - Director of Photography |
| 1951 | Three Desperate Men - Director of Photography |
| 1950 | Dakota Lil - Director of Photography |
| 1949 | Wild Weed - Director of Photography |
| 1949 | State Department: File 649 - Director of Photography |
| 1948 | The Strange Mrs. Crane - Director of Photography |
| 1948 | Miraculous Journey - Director of Photography |
| 1948 | Lady at Midnight - Director of Photography |
| 1948 | 16 Fathoms Deep - Director of Photography |
| 1948 | Money Madness - Director of Photography |
| 1948 | Adventures of Casanova - Director of Photography |
| 1947 | Jungle Flight - Director of Photography |
| 1947 | Heartaches - Director of Photography |
| 1947 | High Conquest - Director of Photography |
| 1947 | Hollywood Barn Dance - Director of Photography |
| 1947 | Too Many Winners - Director of Photography |
| 1947 | Fear in the Night - Director of Photography |
| 1946 | Lady Chaser - Cinematography |
| 1946 | Outlaws of the Plains - Director of Photography |
| 1946 | Larceny in Her Heart - Director of Photography |
| 1946 | The Mask of Diijon - Director of Photography |
| 1946 | Murder Is My Business - Director of Photography |
| 1946 | The Flying Serpent - Director of Photography |
| 1945 | Danny Boy - Director of Photography |
| 1945 | Navajo Kid - Director of Photography |
| 1945 | White Pongo - Director of Photography |
| 1945 | Apology for Murder - Director of Photography |
| 1945 | The Lady Confesses - Director of Photography |
| 1945 | Enemy of the Law - Director of Photography |
| 1945 | The Big Show-Off - Director of Photography |
| 1944 | Wild Horse Phantom - Director of Photography |
| 1944 | Fuzzy Settles Down - Director of Photography |
| 1943 | Hitler's Madman - Director of Photography |
| 1943 | Dead Men Walk - Director of Photography |
| 1942 | Tomorrow We Live - Director of Photography |
| 1942 | Border Roundup - Director of Photography |
| 1942 | Jungle Siren - Director of Photography |
| 1942 | Texas Justice - Director of Photography |
| 1942 | The Mad Monster - Director of Photography |
| 1942 | Mr. Washington Goes to Town - Director of Photography |
| 1942 | The Lone Rider in Cheyenne - Director of Photography |
| 1941 | Escort Girl - Director of Photography |
| 1941 | Jungle Man - Director of Photography |
| 1941 | Dangerous Lady - Director of Photography |
| 1941 | Billy the Kid in Santa Fe - Director of Photography |
| 1941 | Desperate Cargo - Director of Photography |
| 1941 | Emergency Landing - Director of Photography |
| 1941 | The Lone Rider Crosses the Rio - Director of Photography |
| 1941 | Billy the Kid's Range War - Director of Photography |
| 1940 | Marked Men - Director of Photography |
| 1940 | Billy the Kid in Texas - Director of Photography |
| 1940 | Arizona Gang Busters - Director of Photography |
| 1940 | Gun Code - Director of Photography |
| 1940 | Frontier Crusader - Director of Photography |
| 1940 | Home Movies - Director of Photography |
| 1939 | Torture Ship - Director of Photography |
| 1938 | Frontier Scout - Director of Photography |
| 1938 | Tell Your Children - Director of Photography |
| 1938 | Code of the Rangers - Director of Photography |
| 1937 | Roaring Six Guns - Director of Photography |
| 1937 | Galloping Dynamite - Cinematography |
| 1937 | The Fighting Texan - Director of Photography |
| 1937 | Whistling Bullets - Director of Photography |
| 1936 | Racing Blood - Director of Photography |
| 1936 | Rogue of the Range - Director of Photography |
| 1936 | Roarin' Guns - Director of Photography |
| 1935 | Bulldog Courage - Director of Photography |
| 1935 | The Pace That Kills - Director of Photography |
| 1935 | Timber War - Director of Photography |
| 1930 | Cehennem Melekleri - Aerial Camera |
| 1926 | The Two-Gun Man - Assistant Camera |
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