Profil Görüntüleri
1 Görüntüler
| Doğum yeri | New Haven, Connecticut, USA |
| Doğum günü | 1896-07-29 |
| Ölüm | 1957-03-05 |
| Ayrıca şöyle bilinir | Wiliam C. Menzies William C. Menzies William Menzies Wm. Cameron Menzies |
Oy
. William Cameron Menzies (July 29, 1896 – March 5, 1957) was an Academy Award-winning American film production designer (a job title he invented) and art director who also worked as a director, producer, and screenwriter during a career spanning five decades. He earned acclaim for his work in silent movies, and later pioneered the use of color in film for dramatic effect.
Oyuncu
| 2010 | Empire as Himself |
| 1940 | Cavalcade of the Academy Awards as Self |
Diğer Roller
| 1999 | Sunshine - Title Designer |
| 1956 | 80 Günde Devr-i Alem - Associate Producer |
| 1954 | Autumn in Rome - Director |
| 1953 | The Maze - Director |
| 1953 | The Maze - Production Design |
| 1953 | Invaders from Mars - Director |
| 1953 | Invaders from Mars - Production Design |
| 1952 | Androcles and the Lion - Production Design |
| 1952 | La Regina di Saba - Art Direction |
| 1952 | The Narrow Margin - Co-Director |
| 1951 | The Whip Hand - Director |
| 1951 | Drums in the Deep South - Director |
| 1951 | Drums in the Deep South - Production Design |
| 1949 | Reign of Terror - Producer |
| 1947 | Ivy - Producer |
| 1946 | Kanlı Aşk - Co-Director |
| 1946 | Şahane Hayat - Art Direction |
| 1946 | Deadline at Dawn - Co-Director |
| 1944 | Address Unknown - Director |
| 1944 | Address Unknown - Producer |
| 1943 | For Whom the Bell Tolls - Production Design |
| 1943 | Mr. Lucky - Production Design |
| 1942 | Yankeeler'in Gururu - Production Design |
| 1942 | Kings Row - Production Design |
| 1941 | The Devil and Miss Jones - Production Design |
| 1941 | So Ends Our Night - Production Design |
| 1940 | Bağdat Hırsızı - Associate Producer |
| 1940 | Yabancı Muhabir - Special Effects |
| 1940 | Our Town - Production Design |
| 1939 | Rüzgar Gibi Geçti - Production Design |
| 1939 | Made for Each Other - Production Designer |
| 1938 | The Young in Heart - Production Design |
| 1937 | The Green Cockatoo - Director |
| 1937 | Yalancılar Şahı - Second Unit |
| 1936 | The Conquest of the Air - Art Direction |
| 1936 | Gelecek Şeyler - Director |
| 1934 | The Notorious Sophie Lang - Director |
| 1934 | Wharf Angel - Director |
| 1933 | Alice Harikalar Diyarında - Art Direction |
| 1933 | Alice Harikalar Diyarında - Screenplay |
| 1933 | I Loved You Wednesday - Director |
| 1933 | Cavalcade - Special Effects |
| 1932 | Chandu the Magician - Director |
| 1932 | Almost Married - Director |
| 1931 | The Spider - Director |
| 1931 | Always Goodbye - Director |
| 1930 | Reaching for the Moon - Production Design |
| 1930 | Abraham Lincoln - Settings |
| 1930 | Du Barry, Woman of Passion - Art Direction |
| 1930 | Raffles - Art Direction |
| 1930 | The Bad One - Art Direction |
| 1930 | One Romantic Night - Settings |
| 1930 | Be Yourself! - Settings |
| 1929 | New York Nights - Set Decoration |
| 1929 | The Locked Door - Set Designer |
| 1929 | Condemned - Art Direction |
| 1929 | Bulldog Drummond - Settings |
| 1929 | Alibi - Art Direction |
| 1929 | The Iron Mask - Art Direction |
| 1929 | The Rescue - Art Direction |
| 1928 | The Awakening - Art Direction |
| 1928 | The Woman Disputed - Art Direction |
| 1928 | Tempest - Art Direction |
| 1928 | The Garden of Eden - Art Direction |
| 1928 | What Price Beauty? - Art Direction |
| 1928 | Sadie Thompson - Art Direction |
| 1928 | The Love of Zero - Art Direction |
| 1927 | The Dove - Art Direction |
| 1927 | Sorrell and Son - Art Direction |
| 1927 | Breakfast at Sunrise - Art Direction |
| 1927 | Two Arabian Knights - Art Direction |
| 1927 | Camille - Art Direction |
| 1927 | Venus of Venice - Art Direction |
| 1927 | The Beloved Rogue - Art Direction |
| 1926 | The Duchess of Buffalo - Art Direction |
| 1926 | Fig Leaves - Art Direction |
| 1926 | Kiki - Art Direction |
| 1926 | The Bat - Art Direction |
| 1925 | The Eagle - Set Decoration |
| 1925 | The Dark Angel - Art Direction |
| 1925 | Her Sister from Paris - Art Direction |
| 1925 | The Lady - Art Direction |
| 1925 | Learning to Love - Art Direction |
| 1925 | Cobra - Art Direction |
| 1924 | The Only Woman - Art Direction |
| 1924 | Bağdat Hırsızı - Art Direction |
| 1924 | Bağdat Hırsızı - Production Design |
| 1923 | Rosita - Art Direction |
| 1922 | Kindred of the Dust - Art Direction |
| 1920 | The Deep Purple - Art Direction |
| 1920 | Dr. Jekyll and Mr. Hyde - Art Direction |
| 1919 | The Misleading Widow - Art Direction |
Duvar