Profil Görüntüleri
3 Görüntüler
| Doğum yeri | Aomori, Japan |
| Doğum günü | 1935-12-10 |
| Ölüm | 1983-05-04 |
| Ayrıca şöyle bilinir | Shûji Terayama 寺山 修司 Shuuji Terayama 테라야마 슈지 슈지 테라야마 |
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. Shūji Terayama (December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters, he was one of the most productive and provocative creative artists to come out of Japan. He was born December 10, 1935, the only son of Hachiro and Hatsu Terayama in Hirosaki city in the northern Japanese prefecture of Aomori. His father died at the end of Pacific War in Indonesia in September 1945. At the age of nine, his mother moved to Kyūshū to work at an American military base while he himself went to live with relatives in the city of Misawa, also in Aomori. At this same time, Terayama lived through the Aomori air raids that killed more than 30,000 people. Terayama entered Aomori Prefectural Aomori High School in 1951, and in 1954 went to prestigious Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film "Throw Away Your Books, Run into the Streets! In 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film "Les Enfants du Paradis", so can be translated as "children of heaven", however its correct translation is "Ceiling Gallery" and has a meaning similar to the English expression "Peanut Gallery". The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective. Some major plays include "Bluebeard", "Yes", and "The Crime of Fatso Oyama", among others. Also involved with the theater were artists Aquirax Uno and Tadanori Yokoo, who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami. He was also involved in poetry and at 18 was the second winner of the Tanka Studies Award. Terayama experimented with ‘city plays’, a fantastical satire of civic life. Also in 1967, Terayama started an experimental cinema and gallery called 'Universal Gravitation,' which is in fact still in existence at Misawa as a resource center. The Terayama Shūji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal effects and relics from his theatre productions, can also be found in Misawa. In 1976, he was a member of the jury at the 26th Berlin International Film Festival. Terayama published almost 200 literary works, and over 20 short and full-length films. He was married to Tenjō Sajiki co-founder Kyōko Kujō, but they later divorced, although they continued to work together until Terayama's death on May 4, 1983 from cirrhosis of the liver.
Oyuncu
| 2017 | あしたはどっちだ、寺山修司 as Himself (archive footage) |
| 1983 | ビデオ・レター as Self |
| 1977 | 記憶のカタログ as himself |
| 1973 | JRA CM as Himself |
| 1966 | 非行少女ヨーコ as Imura |
Diğer Roller
| 2021 | 海王星 - Creator |
| 2017 | あゝ、荒野 後篇 - Novel |
| 2017 | あゝ、荒野 前篇 - Novel |
| 2013 | レミング～世界の涯てまで連れてって～ - Writer |
| 1994 | アインシュタインは黄昏の向こうからやってくる - Original Story |
| 1993 | 寺山修司実験映像ワールド - Director |
| 1984 | さらば箱舟 - Director |
| 1984 | さらば箱舟 - Screenplay |
| 1984 | 時代はサーカスの象にのって - Writer |
| 1983 | ビデオ・レター - Cinematography |
| 1983 | ビデオ・レター - Director |
| 1983 | 壁抜け男 - レミング - Director |
| 1983 | ビデオ・レター - Editor |
| 1983 | ビデオ・レター - Writer |
| 1983 | 壁抜け男 - レミング - Writer |
| 1983 | 毛皮のマリー - Writer |
| 1983 | 青森県のせむし男 - Writer |
| 1981 | Tutkunun Meyveleri - Director |
| 1981 | Tutkunun Meyveleri - Writer |
| 1981 | 百年の孤独 - Director |
| 1980 | アフリカ物語 - Writer |
| 1979 | Collections privées - Director |
| 1979 | Collections privées - Screenplay |
| 1979 | 草迷宮 - Director |
| 1979 | 草迷宮 - Screenplay |
| 1978 | サード - Writer |
| 1978 | ルドロオルの歌 - Director |
| 1978 | 一寸法師を記述する試み - Director |
| 1978 | 一寸法師を記述する試み - Screenplay |
| 1978 | ルドロオルの歌 - Writer |
| 1978 | 奴婢訓 - Director |
| 1978 | 身毒丸 - Director |
| 1978 | 奴婢訓 - Writer |
| 1978 | 身毒丸 - Writer |
| 1977 | 書見機 - Director |
| 1977 | 書見機 - Screenplay |
| 1977 | ボクサー - Director |
| 1977 | ボクサー - Screenplay |
| 1977 | 二頭女 影の映画 - Director |
| 1977 | 消しゴム - Director |
| 1977 | 二頭女 影の映画 - Screenplay |
| 1977 | 消しゴム - Screenplay |
| 1977 | 父 - Director |
| 1975 | 審判 - Director |
| 1975 | 審判 - Screenplay |
| 1975 | 迷宮譚 - Director |
| 1975 | 迷宮譚 - Script |
| 1975 | 疱瘡譚 - Director |
| 1975 | 疱瘡譚 - Screenplay |
| 1974 | 田園に死す - Director |
| 1974 | 田園に死す - Producer |
| 1974 | 田園に死す - Writer |
| 1974 | 蝶服記 - Director |
| 1974 | 蝶服記 - Writer |
| 1974 | ローラ - Director |
| 1974 | 青少年のための映画入門 - Director |
| 1974 | 青少年のための映画入門 - Screenplay |
| 1973 | JRA CM - Director |
| 1971 | 書を捨てよ町へ出よう - Director |
| 1971 | 書を捨てよ町へ出よう - Producer |
| 1971 | 書を捨てよ町へ出よう - Writer |
| 1971 | トマトケチャップ皇帝 - Director |
| 1971 | トマトケチャップ皇帝 - Editor |
| 1971 | トマトケチャップ皇帝 - Music |
| 1971 | トマトケチャップ皇帝 - Writer |
| 1971 | ジャンケン戦争 - Director |
| 1971 | ジャンケン戦争 - Writer |
| 1970 | 無頼漢 - Writer |
| 1968 | 初恋・地獄篇 - Writer |
| 1967 | 母たち - Poem |
| 1964 | 檻囚 - Director |
| 1964 | 檻囚 - Screenplay |
| 1962 | 涙を、獅子のたて髪に - Screenplay |
| 1961 | わが恋の旅路 - Screenplay |
| 1961 | 夕陽に赤い俺の顔 - Writer |
| 1960 | 「みな殺しの歌」より 拳銃よさらば - Screenplay |
| 1960 | 乾いた湖 - Screenplay |
| 1960 | 猫学 - Director |
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