Profil Görüntüleri
2 Görüntüler
| Doğum yeri | New York City, New York, USA |
| Doğum günü | 1938-02-23 |
Oy
Paul Morrissey (born 23 February 1938, New York City) is an American film director, best-known for his association with Andy Warhol. Morrissey attended Ampleforth College, a private Roman Catholic boarding school and Fordham University, both Roman Catholic schools, and later served in the United States Army. A political conservative and self-described "right-winger", who has publicly protested against what he perceives as immorality and "anti-Catholicism", Morrissey's long-term collaboration with the low-keyed, apparently apolitical Warhol was viewed by many as "a successful mismatch", although both men did share some traits, i.e. both were practising Catholics from "ethnic" backgrounds (Warhol was of Rusyn descent and Morrissey is of Irish descent). Morrissey's bold, avant-garde direction in filmmaking is often attributed to his relationship with Warhol and The Factory, although Morrissey claimed in his memoir, Factory Days, that this is not the case.
Oyuncu
Diğer Roller
| 2015 | Dartmoor Killing - Executive Producer |
| 2010 | News from Nowhere - Director |
| 2005 | Veruschka - Die Inszenierung (m)eines Körpers - Director |
| 1996 | Madame Wang's - Director |
| 1996 | Madame Wang's - Writer |
| 1993 | Changing Fashions - Director |
| 1988 | Spike of Bensonhurst - Director |
| 1988 | Spike of Bensonhurst - Screenplay |
| 1988 | Spike of Bensonhurst - Story |
| 1985 | Le Neveu de Beethoven - Director |
| 1985 | Le Neveu de Beethoven - Writer |
| 1985 | The Armchair Hacker - Director |
| 1984 | Mixed Blood - Director |
| 1984 | Mixed Blood - Screenplay |
| 1982 | Forty Deuce - Director |
| 1978 | The Hound of the Baskervilles - Director |
| 1978 | The Hound of the Baskervilles - Writer |
| 1974 | Blood for Dracula - Director |
| 1974 | Blood for Dracula - Writer |
| 1973 | Flesh for Frankenstein - Director |
| 1973 | Flesh for Frankenstein - Screenplay |
| 1973 | L'Amour - Director |
| 1973 | L'Amour - Producer |
| 1973 | L'Amour - Writer |
| 1972 | Heat - Director |
| 1972 | Heat - Director of Photography |
| 1972 | Heat - Story |
| 1971 | Women in Revolt - Director |
| 1971 | Women in Revolt - Editor |
| 1971 | Women in Revolt - Executive Producer |
| 1971 | Women in Revolt - Writer |
| 1971 | Nedostaje mi Sonja Henie - Director |
| 1970 | Trash - Cinematography |
| 1970 | Trash - Director |
| 1970 | Trash - Editor |
| 1970 | Trash - Writer |
| 1969 | Blue Movie - Executive Producer |
| 1968 | Flesh - Author |
| 1968 | Flesh - Director |
| 1968 | Flesh - Director of Photography |
| 1968 | Lonesome Cowboys - Cinematography |
| 1968 | Lonesome Cowboys - Director |
| 1968 | Lonesome Cowboys - Editor |
| 1968 | Lonesome Cowboys - Producer |
| 1968 | Lonesome Cowboys - Writer |
| 1968 | San Diego Surf - Director |
| 1968 | The Loves of Ondine - Director |
| 1967 | Bike Boy - Director of Photography |
| 1967 | I, a Man - Director |
| 1967 | Superartist - Sound |
| 1966 | Screen Test #3 - Cinematography |
| 1966 | Screen Test #4 - Cinematography |
| 1966 | Chelsea Girls - Director |
| 1966 | Moe Gets Tied Up - Camera Operator |
| 1966 | The Velvet Underground Tarot Cards - Camera Operator |
| 1966 | The Velvet Underground and Nico: A Symphony of Sound - Cinematography |
| 1966 | My Hustler - Camera Operator |
| 1966 | The Andy Warhol Story - Cinematography |
| 1966 | Screen Test: Helmut - Director of Photography |
| 1966 | Screen Test: Lou Reed - Director of Photography |
| 1965 | Like Sleep - Director |
| 1965 | Screen Test #1 - Cinematography |
| 1965 | Screen Test: Edie Sedgwick - Director of Photography |
| 1964 | All Aboard the Dreamland Choo-Choo - Director |
| 1964 | The Origin of Captain America - Director |
| 1962 | Taylor Mead Dances - Director |
| Le neveu de Beethoven - Director | |
| Le neveu de Beethoven - Screenplay |
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