Profil Görüntüleri
| Doğum yeri | Vienna - Austria |
| Doğum günü | 1897-05-29 |
| Ölüm | 1958-05-17 |
| Ayrıca şöyle bilinir | Frederick Hugh Herbert Hugh Herbert |
Oy
Frederick Hugh Herbert (May 29, 1897 - May 17, 1958) was a playwright, screenwriter, novelist, short story writer, and infrequent film director. Born in Vienna, Austria, Herbert was educated at the University of London. He began his film career in 1926 with two projects starring Conrad Nagel, The Waning Sex and There You Are!, the latter adapted from his play of the same title. His screenwriting credits included Vanity Fair, Fashions of 1934; Smarty in 1934, adapted from his own play; Sitting Pretty; Dark Command; Our Very Own; The Little Hut; Scudda Hoo! Scudda Hay! and The Girls of Pleasure Island, the last two of which he also directed. He co-wrote a few films in which the similarly named, but unrelated actor Hugh Herbert appeared: Fashions of 1934 (1934), We're in the Money (1935) and Colleen (1936). One of Herbert's most enduring creations was the character of American teenager Corliss Archer, who was introduced in his 1943 play Kiss and Tell and played on screen by Shirley Temple in the 1945 film adaptation. The character went on to appear in a series of magazine articles, another Temple film, and a radio and television series called Meet Corliss Archer. Herbert's play The Moon Is Blue had a run of 924 performances on Broadway, which was adapted for the screen version produced and directed by Otto Preminger, who had been responsible for the stage production. The film adaptation, released in 1953, was controversial at the time owing to its frank language and sexual themes. When the Breen office refused to give it a Motion Picture Production Code seal of approval, United Artists opted to release the film without one, and the success of the film was instrumental in weakening the long-standing influence of the Code. Herbert won the Writers Guild of America Award for Sitting Pretty and was nominated for The Moon is Blue. The uncle of actress Kathleen Hughes, he died in Beverly Hills.
Diğer Roller
| 1958 | This Happy Feeling - Theatre Play |
| 1957 | The Little Hut - Producer |
| 1957 | The Little Hut - Writer |
| 1953 | Die Jungfrau auf dem Dach - Original Story |
| 1953 | The Moon Is Blue - Producer |
| 1953 | The Moon Is Blue - Screenplay |
| 1953 | The Moon Is Blue - Theatre Play |
| 1953 | The Girls of Pleasure Island - Director |
| 1953 | The Girls of Pleasure Island - Writer |
| 1951 | Let's Make It Legal - Screenplay |
| 1950 | Our Very Own - Writer |
| 1949 | A Kiss for Corliss - Characters |
| 1948 | Scudda Hoo! Scudda Hay! - Director |
| 1948 | Scudda Hoo! Scudda Hay! - Screenplay |
| 1948 | Sitting Pretty - Screenplay |
| 1946 | Margie - Screenplay |
| 1946 | Home Sweet Homicide - Screenplay |
| 1946 | A Guy Could Change - Story |
| 1945 | Kiss and Tell - Screenplay |
| 1945 | Kiss and Tell - Theatre Play |
| 1945 | Men in Her Diary - Writer |
| 1944 | Together Again - Screenplay |
| 1943 | Nobody's Darling - Story |
| 1942 | My Heart Belongs to Daddy - Screenplay |
| 1942 | Fly-By-Night - Writer |
| 1941 | Glamour Boy - Writer |
| 1941 | West Point Widow - Writer |
| 1940 | Hit Parade of 1941 - Screenplay |
| 1940 | Melody Ranch - Screenplay |
| 1940 | Three Faces West - Screenplay |
| 1940 | Women in War - Writer |
| 1940 | Karanlık Emir - Screenplay |
| 1940 | Forgotten Girls - Screenplay |
| 1938 | That Certain Age - Story |
| 1937 | As Good as Married - Screenplay |
| 1936 | The Case of the Black Cat - Screenplay |
| 1936 | Snowed Under - Screenplay |
| 1936 | Colleen - Screenplay |
| 1935 | If You Could Only Cook - Story |
| 1935 | The Widow from Monte Carlo - Writer |
| 1935 | Personal Maid's Secret - Screenplay |
| 1935 | We're in the Money - Screenplay |
| 1935 | People Will Talk - Story |
| 1935 | Traveling Saleslady - Screenplay |
| 1934 | The Secret Bride - Screenplay |
| 1934 | The Dragon Murder Case - Screenplay |
| 1934 | The Personality Kid - Screenplay |
| 1934 | Smarty - Screenplay |
| 1934 | Smarty - Story |
| 1934 | Journal of a Crime - Screenplay |
| 1934 | Fashions of 1934 - Screenplay |
| 1933 | The Women in His Life - Screenplay |
| 1933 | One Year Later - Screenplay |
| 1933 | One Year Later - Story |
| 1933 | Daring Daughters - Dialogue |
| 1933 | Daring Daughters - Screenplay |
| 1933 | The Constant Woman - Screenplay |
| 1932 | The Penal Code - Screenplay |
| 1932 | Those We Love - Writer |
| 1932 | The Stoker - Writer |
| 1932 | Vanity Fair - Screenplay |
| 1932 | Hotel Continental - Story |
| 1931 | The Sin Ship - Screenplay |
| 1930 | Remote Control - Dialogue |
| 1930 | Road to Paradise - Writer |
| 1930 | He Knew Women - Director |
| 1930 | He Knew Women - Writer |
| 1930 | Vengeance - Scenario Writer |
| 1929 | A Single Man - Screenplay |
| 1928 | The Air Circus - Dialogue |
| 1928 | The Baby Cyclone - Writer |
| 1928 | The Cardboard Lover - Continuity |
| 1928 | The Cardboard Lover - Writer |
| 1928 | Hollywood Bound - Writer |
| 1928 | The Swell Head - Writer |
| 1928 | Baby Mine - Writer |
| 1927 | Adam and Evil - Writer |
| 1927 | The Demi-Bride - Writer |
| 1926 | There You Are! - Screenplay |
| 1926 | The Waning Sex - Writer |
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