Profil Görüntüleri
| Doğum yeri | Görlitz, Silesia [now Saxony], Germany |
| Doğum günü | 1886-01-29 |
| Ölüm | 1964-07-16 |
| Ayrıca şöyle bilinir | A. Junge A. Jungle |
Oy
Alfred Junge (29 January 1886, Görlitz, Silesia (now Saxony), Germany – 16 July 1964, London) was a German-born production designer who spent a large part of his career working in the British film industry. Junge had wanted to be an artist from childhood. Dabbling in theatre in his teenage years, he joined the Görlitz Stadttheater at eighteen and was involved in all areas of production. He worked in the theatre for over fifteen years. Junge began his career in film at Berlin's UFA studios, working there as an art director from 1920 until 1926, when he joined the production team of director E.A. Dupont who was relocating to British International Pictures. He remained with BIP at Elstree Studios until 1930 when he returned briefly to the continent to work in Germany and then in France with Marcel Pagnol. From 1932 he remained in Britain. Michael Balcon placed him in charge of the new Gaumont British art department where his organisational skills as well as talent came into their own, running a large staff of art directors and craftsmen who worked on any number of films at one time. After beimg Gaumont Britain's first real supervising art director, he moved to MGM-British where he continued until the outbreak of the Second World War. After a brief spell spent interned as an enemy alien on the Isle of Man, Junge returned to London where he began work on King Vidor's The Citadel (1938). In 1939, he worked with Powell and Pressburger on Contraband, the first of eight pictures he made with the partnership. The last of these was Black Narcissus (1947); his designs for the Himalayas-set film earned Junge the Academy Award for Best Art Direction. He received a second nomination for the Arthurian epic Knights of the Round Table (1954). He was the first film production designer to have one of his pictures hung in the Royal Academy in London. This was a sketch of The Road to Estaminet du Pont which he created in preparation for his work on The Life and Death of Colonel Blimp (1943).
Diğer Roller
| 1957 | A Farewell to Arms - Production Design |
| 1956 | Invitation to the Dance - Art Direction |
| 1955 | That Lady - Production Design |
| 1955 | That Lady - Set Dresser |
| 1954 | Beau Brummell - Art Direction |
| 1953 | Knights of the Round Table - Art Direction |
| 1953 | Mogambo - Art Direction |
| 1953 | Never Let Me Go - Art Direction |
| 1953 | Time Bomb - Art Direction |
| 1952 | The Hour of 13 - Art Direction |
| 1952 | Ivanhoe - Art Direction |
| 1951 | Calling Bulldog Drummond - Art Direction |
| 1950 | The Miniver Story - Art Direction |
| 1949 | Conspirator - Art Direction |
| 1949 | Edward, My Son - Art Direction |
| 1947 | Siyah Nergiz - Production Design |
| 1946 | Aşk ve Ölüm - Production Design |
| 1945 | Nereye Gittiğimi Biliyorum! - Art Direction |
| 1945 | Nereye Gittiğimi Biliyorum! - Production Design |
| 1944 | A Canterbury Tale - Production Design |
| 1944 | The Volunteer - Production Design |
| 1943 | Kahraman Subay - Production Design |
| 1943 | The Silver Fleet - Production Design |
| 1940 | Busman's Honeymoon - Art Direction |
| 1940 | Contraband - Production Design |
| 1940 | Contraband - Set Decoration |
| 1939 | Goodbye, Mr. Chips - Art Direction |
| 1938 | The Citadel - Art Direction |
| 1938 | Sailing Along - Art Direction |
| 1937 | Genç ve Masum - Art Direction |
| 1937 | Gangway - Art Direction |
| 1935 | Bulldog Jack - Art Direction |
| 1935 | Me and Marlborough - Art Direction |
| 1935 | The Clairvoyant - Art Direction |
| 1935 | Car of Dreams - Production Design |
| 1934 | Dirty Work - Art Direction |
| 1934 | Çok Şey Bilen Adam - Art Direction |
| 1934 | Road House - Art Direction |
| 1934 | Little Friend - Art Direction |
| 1934 | Evensong - Art Direction |
| 1934 | My Song for You - Art Direction |
| 1934 | The Night of the Party - Art Direction |
| 1934 | Red Ensign - Art Direction |
| 1934 | A Cup of Kindness - Art Direction |
| 1934 | Evergreen - Art Direction |
| 1934 | The Fire Raisers - Art Direction |
| 1933 | Turkey Time - Art Direction |
| 1933 | Friday the Thirteenth - Art Direction |
| 1933 | Channel Crossing - Art Direction |
| 1933 | The Ghoul - Art Direction |
| 1933 | Sleeping Car - Art Direction |
| 1933 | Waltz Time - Production Design |
| 1933 | The Good Companions - Art Direction |
| 1933 | Britannia of Billingsgate - Art Direction |
| 1932 | The Midshipmaid - Art Direction |
| 1932 | After the Ball - Art Direction |
| 1932 | Acht Mädels im Boot - Production Design |
| 1931 | Marius - Art Direction |
| 1931 | Cape Forlorn - Art Direction |
| 1930 | Menschen im Käfig - Art Direction |
| 1930 | Two Worlds - Art Direction |
| 1929 | Die Drei um Edith - Art Direction |
| 1929 | Piccadilly - Art Direction |
| 1928 | Die Carmen von St. Pauli - Set Designer |
| 1928 | Moulin Rouge - Art Direction |
| 1925 | Varieté - Art Direction |
| 1924 | Das Wachsfigurenkabinett - Assistant Art Director |
| 1923 | Das alte Gesetz - Production Design |
| 1923 | Die grüne Manuela - Ein Film aus dem Süden - Art Direction |
Duvar