Profil Görüntüleri
2 Görüntüler
| Doğum yeri | New York City, New York, USA |
| Doğum günü | 1897-11-07 |
| Ölüm | 1953-03-05 |
| Ayrıca şöyle bilinir | Herman Jacob Mankiewicz Герман Джейкоб Манкевич |
Oy
Herman Jacob Mankiewicz (November 7, 1897 – March 5, 1953; New York City) was an American screenwriter, who, with Orson Welles, wrote the screenplay for Citizen Kane (1941). Earlier, he was the Berlin correspondent for the Chicago Tribune and the drama critic for The New York Times and The New Yorker. Alexander Woollcott said that Herman Mankiewicz was the "funniest man in New York". Both Mankiewicz and Welles received Academy Awards for their screenplay. Mankiewicz's younger brother was Joseph L. Mankiewicz (1909–1993), an Oscar-winning Hollywood director, screenwriter, and producer. His nephew Tom Mankiewicz (1942 – 2010) was also a screenwriter and director. He was often asked to fix the screenplays of other writers, with much of his work uncredited. Occasional flashes of what came to be called the "Mankiewicz humor" and satire distinguished his films, and became valued in the films of the 1930s. The style of writing included a slick, satirical, and witty humor, which depended almost totally on dialogue to carry the film. It was a style that would become associated with the "typical American film" of that period. Among the screenplays he wrote or worked on, besides "Citizen Kane", were "The Wizard of Oz", "Man of the World", "Dinner at Eight", "Pride of the Yankees", and "The Pride of St. Louis". Film critic Pauline Kael credits Mankiewicz with having written, alone or with others, "about forty of the films I remember best from the twenties and thirties. ... he was a key linking figure in just the kind of movies my friends and I loved best.". Mankiewicz was an alcoholic. Ten years before his death, he wrote: “I seem to become more and more of a rat in a trap of my own construction, a trap that I regularly repair whenever there seems to be danger of some opening that will enable me to escape. I haven’t decided yet about making it bomb proof. It would seem to involve a lot of unnecessary labor and expense". A future Hollywood biographer went so far as to suggest that Mankiewicz’s behavior “made him seem erratic even by the standards of Hollywood drunks.” Herman Mankiewicz died March 5, 1953, of uremic poisoning, at Cedars of Lebanon Hospital in Los Angeles.
Oyuncu
| 1941 | Yurttaş Kane as Newspaperman (uncredited) |
| 1931 | The Front Page as (Undetermined Secondary Role) |
| 1928 | The Mating Call as Newspaperman |
Diğer Roller
| 1989 | Dinner at Eight - Writer |
| 1976 | That's Entertainment, Part II - Thanks |
| 1952 | The Pride of St. Louis - Screenplay |
| 1949 | A Woman's Secret - Producer |
| 1949 | A Woman's Secret - Screenplay |
| 1945 | The Spanish Main - Screenplay |
| 1945 | The Enchanted Cottage - Screenplay |
| 1945 | The Enchanted Cottage - Writer |
| 1944 | Christmas Holiday - Screenplay |
| 1944 | See Here, Private Hargrove - Writer |
| 1943 | The Good Fellows - Screenplay |
| 1943 | The Human Comedy - Writer |
| 1942 | Stand by for Action - Screenplay |
| 1942 | Yankeeler'in Gururu - Screenplay |
| 1942 | This Time for Keeps - Characters |
| 1941 | Rise and Shine - Screenplay |
| 1941 | Yurttaş Kane - Screenplay |
| 1941 | The Wild Man of Borneo - Screenplay |
| 1940 | Keeping Company - Story |
| 1940 | Comrade X - Writer |
| 1940 | The Ghost Comes Home - Staff Writer |
| 1939 | Oz Büyücüsü - Staff Writer |
| 1939 | It's a Wonderful World - Original Story |
| 1937 | Live, Love and Learn - Writer |
| 1937 | My Dear Miss Aldrich - Original Story |
| 1937 | My Dear Miss Aldrich - Screenplay |
| 1937 | The Emperor's Candlesticks - Dialogue |
| 1937 | Mademoiselle Docteur - Writer |
| 1937 | John Meade's Woman - Writer |
| 1936 | Love in Exile - Writer |
| 1936 | Suzy - Writer |
| 1936 | San Francisco - Writer |
| 1936 | The Three Maxims - Adaptation |
| 1935 | The Perfect Gentleman - Writer |
| 1935 | It's in the Air - Writer |
| 1935 | The Murder Man - Writer |
| 1935 | Escapade - Screenplay |
| 1935 | After Office Hours - Screenplay |
| 1934 | Stamboul Quest - Screenplay |
| 1934 | Operator 13 - Writer |
| 1934 | Come On, Marines! - Writer |
| 1934 | The Show-Off - Screenplay |
| 1933 | Saat 8'de Ziyafet - Screenplay |
| 1933 | Marx Kardeşler Savaşta - Producer |
| 1933 | Meet the Baron - Story |
| 1933 | Another Language - Writer |
| 1933 | Fast Workers - Screenplay |
| 1932 | At Tüyleri - Producer |
| 1932 | Million Dollar Legs - Producer |
| 1932 | Girl Crazy - Adaptation |
| 1932 | The Lost Squadron - Dialogue |
| 1932 | Dancers in the Dark - Writer |
| 1931 | Monkey Business - Producer |
| 1931 | Dude Ranch - Writer |
| 1931 | Ladies' Man - Writer |
| 1931 | Man of the World - Screenplay |
| 1931 | Man of the World - Story |
| 1931 | Jede Frau hat etwas - Adaptation |
| 1931 | ¡Salga de la cocina! - Adaptation |
| 1930 | The Royal Family of Broadway - Adaptation |
| 1930 | Laughter - Writer |
| 1930 | Love Among the Millionaires - Dialogue |
| 1930 | True to the Navy - Dialogue |
| 1930 | Ladies Love Brutes - Screenplay |
| 1930 | Honey - Dialogue |
| 1930 | Honey - Writer |
| 1930 | Men Are Like That - Adaptation |
| 1930 | The Vagabond King - Screenplay |
| 1929 | The Mighty - Dialogue |
| 1929 | Fast Company - Writer |
| 1929 | Thunderbolt - Writer |
| 1929 | The Man I Love - Story |
| 1929 | The Dummy - Writer |
| 1929 | The Canary Murder Case - Dialogue |
| 1929 | The Love Doctor - Dialogue |
| 1928 | What a Night! - Dialogue |
| 1928 | Three Week Ends - Dialogue |
| 1928 | Avalanche - Dialogue |
| 1928 | Avalanche - Screenplay |
| 1928 | Take Me Home - Dialogue |
| 1928 | Moran of the Marines - Writer |
| 1928 | The Barker - Dialogue |
| 1928 | The Water Hole - Dialogue |
| 1928 | The Mating Call - Dialogue |
| 1928 | The Big Killing - Writer |
| 1928 | The Magnificent Flirt - Dialogue |
| 1928 | His Tiger Lady - Dialogue |
| 1928 | The Drag Net - Dialogue |
| 1928 | Abie's Irish Rose - Dialogue |
| 1928 | A Night of Mystery - Dialogue |
| 1928 | Something Always Happens - Dialogue |
| 1928 | Gentlemen Prefer Blondes - Dialogue |
| 1928 | Son Emir - Writer |
| 1928 | Love and Learn - Dialogue |
| 1927 | Serenade - Dialogue |
| 1927 | Two Flaming Youths - Dialogue |
| 1927 | The Gay Defender - Dialogue |
| 1927 | Honeymoon Hate - Dialogue |
| 1927 | The Spotlight - Dialogue |
| 1927 | The City Gone Wild - Dialogue |
| 1927 | Figures Don't Lie - Writer |
| 1927 | A Gentleman of Paris - Writer |
| 1927 | Fashions for Women - Writer |
| 1926 | Stranded in Paris - Adaptation |
| 1926 | The Road to Mandalay - Story |
Duvar