Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Miami, Oklahoma, USA |
| Doğum günü | 1908-05-06 |
| Ölüm | 1988-10-01 |
Oy
Lucien Ballard, the cinematographer best known for his collaboration with directors Sam Peckinpah and Josef von Sternberg, was born in Miami, Oklahoma. Ballard became a wanderer after dropping out of the Ivy League University of Pennsylvania and the University of Oklahoma, journeying to China in search of opportunity. When he returned to the United States after not finding any, Ballard gained employment in the lumber business, working in a mill sawing trees and surveying land. Lucien Ballard died near his Rancho Mirage, California, home in a car accident on October 1, 1988. He was 80 years old.
Diğer Roller
| 1978 | Rabbit Test - Director of Photography |
| 1976 | Öğleden Üçe Kadar - Director of Photography |
| 1976 | Drum - Director of Photography |
| 1976 | St. Ives - Director of Photography |
| 1975 | Breakheart Pass - Director of Photography |
| 1975 | Chat en poche - Director of Photography |
| 1975 | Breakout - Director of Photography |
| 1974 | Three the Hard Way - Director of Photography |
| 1974 | Thomasine & Bushrod - Director of Photography |
| 1973 | Lady Ice - Director of Photography |
| 1972 | Sonsuz Kaçış - Director of Photography |
| 1972 | Arruza - Director of Photography |
| 1972 | Junior Bonner - Director of Photography |
| 1971 | What's the Matter with Helen? - Director of Photography |
| 1970 | Elvis: That's the Way It Is - Director of Photography |
| 1970 | The Hawaiians - Director of Photography |
| 1970 | Frédéric - Cinematography |
| 1970 | Çöl Şeytanı - Director of Photography |
| 1969 | A Time for Dying - Director of Photography |
| 1969 | Vahşi Belde - Director of Photography |
| 1969 | Gerçek Cesaret - Director of Photography |
| 1969 | La Perruche et le Poulet - Camera Operator |
| 1968 | How Sweet It Is! - Director of Photography |
| 1968 | Tatlı Budala - Director of Photography |
| 1967 | Will Penny - Director of Photography |
| 1967 | Silahların Saati - Director of Photography |
| 1966 | Noon Wine - Director of Photography |
| 1966 | J'y suis, j'y reste - Cinematography |
| 1966 | Nevada Smith - Director of Photography |
| 1966 | An Eye for an Eye - Director of Photography |
| 1965 | Boeing, Boeing - Director of Photography |
| 1965 | The Sons of Katie Elder - Director of Photography |
| 1965 | Dear Brigitte - Director of Photography |
| 1964 | Roustabout - Director of Photography |
| 1964 | The New Interns - Director of Photography |
| 1963 | Take Her, She's Mine - Director of Photography |
| 1963 | Wall of Noise - Director of Photography |
| 1963 | The Caretakers - Director of Photography |
| 1962 | İz Peşinde - Director of Photography |
| 1961 | Susan Slade - Director of Photography |
| 1961 | Ricochet - Director of Photography |
| 1961 | Marines, Let's Go - Director of Photography |
| 1961 | The Parent Trap - Director of Photography |
| 1960 | Desire in the Dust - Director of Photography |
| 1960 | Pay or Die! - Director of Photography |
| 1960 | The Bramble Bush - Director of Photography |
| 1960 | The Rise and Fall of Legs Diamond - Director of Photography |
| 1959 | Al Capone - Director of Photography |
| 1959 | City of Fear - Director of Photography |
| 1958 | Murder by Contract - Director of Photography |
| 1958 | Anna Lucasta - Director of Photography |
| 1958 | Buchanan Rides Alone - Director of Photography |
| 1958 | I Married a Woman - Director of Photography |
| 1957 | Band of Angels - Director of Photography |
| 1957 | The Unholy Wife - Director of Photography |
| 1956 | The King and Four Queens - Director of Photography |
| 1956 | Son Darbe - Director of Photography |
| 1956 | The Proud Ones - Director of Photography |
| 1956 | A Kiss Before Dying - Director of Photography |
| 1956 | The Killer is Loose - Director of Photography |
| 1955 | 7 Altın Şehir - Director of Photography |
| 1955 | The Magnificent Matador - Director of Photography |
| 1955 | White Feather - Director of Photography |
| 1954 | The Raid - Director of Photography |
| 1954 | Prince Valiant - Director of Photography |
| 1954 | New Faces - Director of Photography |
| 1953 | Inferno - Director of Photography |
| 1953 | The Desert Rats - Director of Photography |
| 1953 | The Glory Brigade - Director of Photography |
| 1952 | Night Without Sleep - Director of Photography |
| 1952 | Bir Gecelik Macera - Director of Photography |
| 1952 | Diplomatic Courier - Director of Photography |
| 1952 | Return of the Texan - Director of Photography |
| 1951 | Fixed Bayonets! - Director of Photography |
| 1951 | Let's Make It Legal - Director of Photography |
| 1951 | The House on Telegraph Hill - Director of Photography |
| 1948 | Berlin Express - Director of Photography |
| 1948 | Night Song - Director of Photography |
| 1946 | Temptation - Director of Photography |
| 1945 | This Love of Ours - Director of Photography |
| 1944 | The Lodger - Director of Photography |
| 1943 | Holy Matrimony - Director of Photography |
| 1943 | Bomber's Moon - Director of Photography |
| 1943 | Tonight We Raid Calais - Director of Photography |
| 1943 | The Outlaw - Additional Photography |
| 1942 | The Undying Monster - Director of Photography |
| 1942 | Orchestra Wives - Director of Photography |
| 1941 | Wild Geese Calling - Director of Photography |
| 1940 | The Villain Still Pursued Her - Director of Photography |
| 1940 | No Census, No Feeling - Cinematography |
| 1939 | Yes, We Have No Bonanza - Cinematography |
| 1939 | Blind Alley - Director of Photography |
| 1939 | Outside These Walls - Director of Photography |
| 1939 | A Ducking They Did Go - Cinematography |
| 1939 | Let Us Live - Director of Photography |
| 1939 | Three Little Sew and Sews - Cinematography |
| 1938 | Flat Foot Stooges - Cinematography |
| 1938 | Violent Is the Word for Curly - Director of Photography |
| 1938 | Halfway to Hollywood - Cinematography |
| 1938 | Penitentiary - Director of Photography |
| 1937 | Man Bites Lovebug - Director of Photography |
| 1937 | The Shadow - Director of Photography |
| 1937 | Life Begins with Love - Cinematography |
| 1937 | Cash and Carry - Cinematography |
| 1937 | From Bad to Worse - Cinematography |
| 1937 | Devil's Playground - Cinematography |
| 1936 | Craig's Wife - Director of Photography |
| 1936 | The Final Hour - Director of Photography |
| 1936 | The King Steps Out - Director of Photography |
| 1935 | Crime and Punishment - Director of Photography |
| 1935 | The Devil Is a Woman - Director of Photography |
| 1932 | Blonde Venus - Assistant Camera |
| 1932 | Bu Gece Sevişelim - First Assistant Camera |
| 1932 | This Is the Night - Assistant Camera |
| 1932 | One Hour with You - Camera Operator |
| 1931 | The Beloved Bachelor - Camera Technician |
| 1930 | Morocco - Assistant Camera |
| 1930 | Morocco - Director of Photography |
Duvar