Profil Görüntüleri
| Doğum yeri | Rome, Lazio, Italy |
| Doğum günü | 1936-06-02 |
| Ölüm | 2012-05-07 |
Oy
Andrea Crisanti (12 June 1936, in Rome – 7 May 2012) was an Italian production designer and art director. Crisanti studied art at the Academy of Fine Arts in Rome. He began his film career as assistant set designer to Mario Garbuglia by working on the set of The Great War (1959) with Mario Monicelli. His independent debut came with Maciste in Hell (1962) by Riccardo Freda. In 1970, Crisanti met Francesco Rosi, which proved crucial to the success of his career. He later worked on Cinema Paradiso (1988) and A Pure Formality (1994) by Giuseppe Tornatore, which won a David di Donatello Award. Sicily was one of his favourite places, and he recalled the pomp of the 17-century Bourbon period for the set of The Council of Egypt (2002) by Emidio Greco. Crisanti worked on Michelangelo Antonioni's Identification of a Woman (1982), Franzo Zeffirelli's Young Toscanini (1988), Gianni Amelio's The Stolen Children (1992), and Andrei Tarkovsky's Nostalghia (1983). He taught art at Rome's Experimental Cinematography Centre from 1995 until his death, and was president of A.S.C., the Set and Costume Designers Association. Source: Article "Andrea Crisanti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Oyuncu
| 1984 | Andreij Tarkovskij in Nostalghia as Self |
Diğer Roller
| 2013 | Il volto di un'altra - Production Design |
| 2012 | Şahane Misafir - Production Design |
| 2010 | Serseri Mayınlar - Production Design |
| 2008 | Il sangue dei vinti - Production Design |
| 2006 | Arrivederci amore, ciao - Production Design |
| 2005 | Face Addict - Production Design |
| 2002 | Il consiglio d'Egitto - Production Design |
| 2001 | The Emperor's New Clothes - Production Design |
| 2000 | Vipera - Production Design |
| 1999 | Excellent Cadavers - Production Design |
| 1997 | La tregua - Production Design |
| 1995 | Colpo di luna - Production Design |
| 1994 | Şüpheli - Production Design |
| 1990 | Herkesin Keyfi Yerinde - Art Direction |
| 1990 | Herkesin Keyfi Yerinde - Production Design |
| 1990 | Dimenticare Palermo - Production Design |
| 1990 | Dimenticare Palermo - Set Decoration |
| 1988 | Cennet Sineması - Production Design |
| 1987 | Cronaca di una morte annunciata - Production Design |
| 1987 | Cronaca di una morte annunciata - Set Decoration |
| 1986 | Diavolo in corpo - Production Design |
| 1983 | Nostalji - Production Design |
| 1982 | No grazie, il caffè mi rende nervoso - Production Design |
| 1982 | Bir Kadının Tanımlaması - Production Design |
| 1982 | Più bello di così si muore - Production Design |
| 1982 | Borotalco - Production Design |
| 1981 | Miracoloni - Production Design |
| 1981 | Prima che sia troppo presto - Production Design |
| 1981 | Tre fratelli - Production Design |
| 1980 | L'avvertimento - Art Direction |
| 1980 | Il cappotto di Astrakan - Production Design |
| 1980 | Salto nel vuoto - Production Design |
| 1979 | Cristo si è fermato a Eboli - Production Design |
| 1977 | Tre tigri contro tre tigri - Production Design |
| 1977 | Ecco noi per esempio... - Production Design |
| 1976 | Il signor Robinson - Mostruosa storia d'amore e d'avventure - Production Design |
| 1976 | Bluff - Storia di truffe e di imbroglioni - Production Design |
| 1976 | Cadaveri eccellenti - Production Design |
| 1973 | Lucky Luciano - Production Design |
| 1972 | Il caso Mattei - Production Design |
| 1971 | Yabandan Gelen Adam - Art Direction |
| 1971 | Quante volte... quella notte - Production Design |
| 1970 | Uomini contro - Production Design |
| 1968 | I due Crociati - Production Design |
| 1968 | Brutti di notte - Production Design |
| 1968 | I sette fratelli Cervi - Production Design |
| 1966 | Spara forte, più forte, non capisco - Assistant Production Design |
| 1963 | Dün, Bugün, Yarın - Assistant Set Decoration |
| 1962 | Le quattro giornate di Napoli - Assistant Production Design |
| 1962 | Maciste all'Inferno - Art Direction |
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