Profil Görüntüleri
1 Görüntüler
| Doğum yeri | New York City, New York, USA |
| Doğum günü | 1877-07-03 |
| Ölüm | 1957-07-30 |
| Ayrıca şöyle bilinir | Alvin C. Wyckoff A. Wyckoff Alvin Wycoff |
Oy
Alvin Wyckoff (July 3, 1877 – July 30, 1957) was an American cinematographer who worked on more than 80 films between 1914 and 1945. Several of Wyckoff's films had sequences filmed in the early Handschiegl Color Process, originally billed as the "DeMille-Wyckoff Process". Wyckoff also worked with DeMille to develop the Lasky-lighting technique, which made selective lighting possible.
Oyuncu
| 1910 | The Wonderful Wizard of Oz |
Diğer Roller
| 1943 | No News Is Good News - Cinematography |
| 1942 | The Magic Alphabet - Director of Photography |
| 1937 | A Street of Memory - Director of Photography |
| 1934 | White Heat - Director of Photography |
| 1934 | The Lost Jungle - Director of Photography |
| 1934 | The Lost Jungle - Cinematography |
| 1933 | The Mystery Squadron - Director of Photography |
| 1933 | Fighting With Kit Carson - Director of Photography |
| 1932 | If I Had a Million - Director of Photography |
| 1930 | Cehennem Melekleri - Aerial Camera |
| 1930 | The Storm - Director of Photography |
| 1926 | The Canadian - Director of Photography |
| 1926 | The New Klondike - Director of Photography |
| 1925 | The Man Who Found Himself - Cinematography |
| 1925 | The Lucky Devil - Cinematography |
| 1925 | A Kiss in the Dark - Director of Photography |
| 1925 | The Swan - Director of Photography |
| 1924 | Lily of the Dust - Director of Photography |
| 1923 | Adam's Rib - Director of Photography |
| 1923 | Strangers of the Night - Director of Photography |
| 1922 | Blood and Sand - Director of Photography |
| 1921 | Fool's Paradise - Director of Photography |
| 1921 | Forbidden Fruit - Cinematography |
| 1920 | Something to Think About - Director of Photography |
| 1920 | Why Change Your Wife? - Director of Photography |
| 1919 | Male and Female - Director of Photography |
| 1918 | The Squaw Man - Director of Photography |
| 1918 | Till I Come Back to You - Director of Photography |
| 1918 | We Can't Have Everything - Director of Photography |
| 1918 | Old Wives for New - Director of Photography |
| 1918 | The Whispering Chorus - Director of Photography |
| 1917 | The Woman God Forgot - Director of Photography |
| 1917 | The Little American - Director of Photography |
| 1917 | A Romance of the Redwoods - Director of Photography |
| 1916 | Joan the Woman - Director of Photography |
| 1916 | The Trail of the Lonesome Pine - Director of Photography |
| 1915 | The Golden Chance - Director of Photography |
| 1915 | Temptation - Director of Photography |
| 1915 | The Cheat - Director of Photography |
| 1915 | Chimmie Fadden Out West - Cinematography |
| 1915 | Carmen - Director of Photography |
| 1915 | Kindling - Director of Photography |
| 1915 | Chimmie Fadden - Cinematography |
| 1915 | The Arab - Cinematography |
| 1915 | The Captive - Director of Photography |
| 1915 | The Girl of the Golden West - Cinematography |
| 1914 | The Rose of the Rancho - Cinematography |
| 1914 | The Man From Home - Director of Photography |
| 1914 | What's His Name - Director of Photography |
| 1914 | The Virginian - Director of Photography |
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