Profil Görüntüleri
1 Görüntüler
| Doğum yeri | New York City, New York, USA |
| Doğum günü | 1904-03-21 |
| Ölüm | 1960-06-15 |
| Ayrıca şöyle bilinir | Edward Cronjaeger Eddie Cronjager Ed Cronjager |
Oy
Edward Cronjager (March 21, 1904 – June 15, 1960) was an American cinematographer, whose career spanned from the silent era through the 1950s. He came from a family of cinematographers, with his father, uncle, and brother all working in the film industry behind the camera. His work covered over 100 films, and included projects on the small screen towards the end of his career. He filmed in both black and white and color mediums, and his work received nominations for seven Academy Awards over the span of three decades, although he never won the statue. He was the preferred director of photography of early film star Richard Dix, and served on several Academy of Motion Picture Arts and Sciences (AMPAS) committees, as well as being selected by the American Society of Cinematographers (ASC) to test new types of film stock. Cronjager pioneered several new techniques and types of cinematography, developing new camera angles in the 1920s, working on one of the earliest film noirs in the 1940s, and using CinemaScope in underwater photography in the 1950s.
Diğer Roller
| 1961 | Devil's Partner - Director of Photography |
| 1960 | The Girl in Lovers Lane - Director of Photography |
| 1960 | The Threat - Director of Photography |
| 1954 | The Siege at Red River - Director of Photography |
| 1953 | Beneath the 12-Mile Reef - Director of Photography |
| 1953 | Powder River - Director of Photography |
| 1953 | Treasure of the Golden Condor - Director of Photography |
| 1952 | Y la Argentina detuvo su corazón - Director |
| 1952 | Lure of the Wilderness - Director of Photography |
| 1951 | Best of the Badmen - Director of Photography |
| 1951 | I'd Climb the Highest Mountain - Director of Photography |
| 1950 | The Capture - Director of Photography |
| 1950 | House by the River - Director of Photography |
| 1948 | The Countess of Monte Cristo - Director of Photography |
| 1948 | An Innocent Affair - Director of Photography |
| 1948 | Relentless - Director of Photography |
| 1948 | On Our Merry Way - Director of Photography |
| 1947 | Desert Fury - Director of Photography |
| 1947 | Honeymoon - Director of Photography |
| 1946 | Canyon Passage - Director of Photography |
| 1946 | Do You Love Me - Director of Photography |
| 1946 | Colonel Effingham's Raid - Director of Photography |
| 1945 | Nob Hill - Director of Photography |
| 1944 | Home in Indiana - Director of Photography |
| 1943 | The Gang's All Here - Director of Photography |
| 1943 | Cennet Beklesin - Director of Photography |
| 1943 | Margin for Error - Cinematography |
| 1942 | Life Begins at Eight-Thirty - Director of Photography |
| 1942 | To the Shores of Tripoli - Director of Photography |
| 1942 | The Pied Piper - Director of Photography |
| 1941 | Rise and Shine - Director of Photography |
| 1941 | I Wake Up Screaming - Director of Photography |
| 1941 | Sun Valley Serenade - Director of Photography |
| 1941 | A Very Young Lady - Cinematography |
| 1941 | Western Union - Director of Photography |
| 1940 | Young People - Director of Photography |
| 1940 | Girl in 313 - Director of Photography |
| 1940 | I Was an Adventuress - Director of Photography |
| 1939 | Everything Happens at Night - Director of Photography |
| 1939 | Too Busy to Work - Director of Photography |
| 1939 | Heaven with a Barbed Wire Fence - Director of Photography |
| 1939 | The Escape - Director of Photography |
| 1939 | The Gorilla - Director of Photography |
| 1938 | Keep Smiling - Cinematography |
| 1938 | Gateway - Director of Photography |
| 1937 | Wife, Doctor and Nurse - Director of Photography |
| 1937 | Thin Ice - Director of Photography |
| 1937 | Wake Up and Live - Director of Photography |
| 1937 | One in a Million - Director of Photography |
| 1936 | Three Married Men - Director of Photography |
| 1936 | The Texas Rangers - Director of Photography |
| 1936 | Yellow Dust - Director of Photography |
| 1935 | In Person - Director of Photography |
| 1935 | Jalna - Director of Photography |
| 1935 | The Nitwits - Director of Photography |
| 1935 | Roberta - Director of Photography |
| 1935 | Enchanted April - Director of Photography |
| 1934 | Lightning Strikes Twice - Director of Photography |
| 1934 | Kentucky Kernels - Director of Photography |
| 1934 | Down to Their Last Yacht - Director of Photography |
| 1934 | Strictly Dynamite - Director of Photography |
| 1934 | Spitfire - Director of Photography |
| 1933 | If I Were Free - Director of Photography |
| 1933 | Ann Vickers - Director of Photography |
| 1933 | Sweepings - Director of Photography |
| 1933 | The Monkey's Paw - Director of Photography |
| 1932 | The Conquerors - Director of Photography |
| 1932 | Hell's Highway - Director of Photography |
| 1932 | Bird of Paradise - Director of Photography |
| 1932 | Roar of the Dragon - Director of Photography |
| 1932 | The Lost Squadron - Director of Photography |
| 1931 | Night Beat - Director of Photography |
| 1931 | Secret Service - Director of Photography |
| 1931 | Scratch-As-Catch-Can - Director of Photography |
| 1931 | The Public Defender - Director of Photography |
| 1931 | Young Donovan's Kid - Cinematography |
| 1931 | Cimarron - Director of Photography |
| 1930 | Shooting Straight - Director of Photography |
| 1930 | He Knew Women - Director of Photography |
| 1930 | Lovin' the Ladies - Director of Photography |
| 1929 | Seven Keys to Baldpate - Director of Photography |
| 1929 | The Virginian - Director of Photography |
| 1929 | Redskin - Director of Photography |
| 1929 | Fashions in Love - Director of Photography |
| 1929 | The Wheel of Life - Director of Photography |
| 1927 | Knockout Reilly - Director of Photography |
| 1926 | The Quarterback - Director of Photography |
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